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LATEST NEWS:
LIVE EVENT: Communiversity with Bayard Rustin Center for Social Justice, Princeton, April 28th 1-6pm
PRESS RELEASE: Live Art based on Consent at Princeton University
LIVE EVENT: Enthusiastic Consent Live / Performance "The Pause", Frist Campus Center Princeton University, , February 13. 11-3 pm [PHOTOS] {FILM COMING SOON]
NEWSLETTER: New Audiences New Projects
RESIDENCY: Johnson Park Elementary School, Princeton, Oct 2018 - May 2019
OLD BUT GOOD NEWS:
LIBRARY SHOW: Princeton Public Library: Exhibition, Talk, Kids Competition, Residency
ART TALK: Andre Veloux, Princeton Public Library, Wednesday October 11, 7 - 8:30pm [PHOTOS] [VIDEO]
LIVE: Blank Canvas on Little Things, June 25, 12pm [PHOTOS] [VIDEO] [YOUTUBE]
PHOTOS: Pop Art in NYC / A Day in the Life NYC
LIVE EVENT: Communiversity with Bayard Rustin Center for Social Justice, Princeton, April 28th 1-6pm
PRESS RELEASE: Live Art based on Consent at Princeton University
LIVE EVENT: Enthusiastic Consent Live / Performance "The Pause", Frist Campus Center Princeton University, , February 13. 11-3 pm [PHOTOS] {FILM COMING SOON]
NEWSLETTER: New Audiences New Projects
RESIDENCY: Johnson Park Elementary School, Princeton, Oct 2018 - May 2019
OLD BUT GOOD NEWS:
LIBRARY SHOW: Princeton Public Library: Exhibition, Talk, Kids Competition, Residency
ART TALK: Andre Veloux, Princeton Public Library, Wednesday October 11, 7 - 8:30pm [PHOTOS] [VIDEO]
LIVE: Blank Canvas on Little Things, June 25, 12pm [PHOTOS] [VIDEO] [YOUTUBE]
PHOTOS: Pop Art in NYC / A Day in the Life NYC
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THEMES
Objectification of Women Toxic Behaviour of Men Violence Against Women Gender Polarity Sexuality and Freedom |
PURPOSE
Engage people in conversations about themes Challenge perceptions of gender and sexuality Create incredible art Raise up women and women artists |
BIO
British artist Andre Veloux, resides in Princeton, NJ with his wife and daughter. He has shown at galleries across the country including Scope Art Miami, and recently held his first live art event at Princeton University centred on the theme of consent. He is represented by the Krause Gallery, New York City, his third show at the gallery opening in October 2019. His feminist work is defined artistically within the parameters of modern feminism and gender exploration. Which is standing up for women and their rights and empowerment. Standing against the patriarchal society and its male entitlement which cause discrimination, oppression and violence against women. His work which is created entirely from Lego is in private collections worldwide and has been installed in public spaces as well as many group shows.
ARTIST STATEMENT
The focus of work is a feminist, gender equality and women's rights project, which explores the way women are viewed and society's expectations of them.
A series of portraits of feminist icons, show strong, powerful and self-motivated women, some of whom have reached iconic status for their work and influence, and in themselves are agents of change in society. Female icons are at the very forefront of the women’s rights movement because of all the things that these women have achieved and the circumstances in which they achieved them. Women leaders in all fields, be it political, scientific, business, artistic or humanitarian are under intense and constant scrutiny.
A second series includes portraits illustrating the mask of femininity. Created from blending features of different faces to create a single visual. These comment on the constant demands on women to continually rebuild and renew how they present themselves. The fact that these artworks are created using building blocks which you can take apart and rebuild in different ways, plays on the ceaseless demands on women to rebuild the image they present to the world in order to gain acceptance.
Included in the project are further sets of works, Freedom Without Judgement, Briefs and Panties, and Anti-Portraits. The first of which depict women's clothing and appearance, defending the right to present one's self freely, without fearing harassment or intervention from others. In the second case, a series of diptychs containing a man's briefs and a woman's panties illustrate the different form, function and ultimately expectations of men and women through the underwear they wear. The anti-portrait works showing a woman's back, comment on the sexualization of the female form, society's bearer of sexuality, as well as demonstrating vulnerability, and in particular the lack of consent in being seen or perhaps imagined in this scenario.
A number of untitled works, which go under the umbrella of a series entitled Enthusiastic Consent are direct in their meaning and interpretation, as a direct response to rape culture, no means no, and only an enthusiastic yes means yes.
All of the works are made with commercially available Lego bricks. Lego, in all its various forms, is at the same time limiting as well as limitless in its possibilities. The color palette is limited yet consistent, and the basic “pixel” size is also fixed. Yet at the same time, it is a hard, durable, tactile and lightweight material; it can be reused, replaced and altered at will, and provides a myriad of different possibilities due to the different available shaped bricks, tiles and plates, with the exciting opportunity to create the 3-dimensional and textural aspects of the art.
British artist Andre Veloux, resides in Princeton, NJ with his wife and daughter. He has shown at galleries across the country including Scope Art Miami, and recently held his first live art event at Princeton University centred on the theme of consent. He is represented by the Krause Gallery, New York City, his third show at the gallery opening in October 2019. His feminist work is defined artistically within the parameters of modern feminism and gender exploration. Which is standing up for women and their rights and empowerment. Standing against the patriarchal society and its male entitlement which cause discrimination, oppression and violence against women. His work which is created entirely from Lego is in private collections worldwide and has been installed in public spaces as well as many group shows.
ARTIST STATEMENT
The focus of work is a feminist, gender equality and women's rights project, which explores the way women are viewed and society's expectations of them.
A series of portraits of feminist icons, show strong, powerful and self-motivated women, some of whom have reached iconic status for their work and influence, and in themselves are agents of change in society. Female icons are at the very forefront of the women’s rights movement because of all the things that these women have achieved and the circumstances in which they achieved them. Women leaders in all fields, be it political, scientific, business, artistic or humanitarian are under intense and constant scrutiny.
A second series includes portraits illustrating the mask of femininity. Created from blending features of different faces to create a single visual. These comment on the constant demands on women to continually rebuild and renew how they present themselves. The fact that these artworks are created using building blocks which you can take apart and rebuild in different ways, plays on the ceaseless demands on women to rebuild the image they present to the world in order to gain acceptance.
Included in the project are further sets of works, Freedom Without Judgement, Briefs and Panties, and Anti-Portraits. The first of which depict women's clothing and appearance, defending the right to present one's self freely, without fearing harassment or intervention from others. In the second case, a series of diptychs containing a man's briefs and a woman's panties illustrate the different form, function and ultimately expectations of men and women through the underwear they wear. The anti-portrait works showing a woman's back, comment on the sexualization of the female form, society's bearer of sexuality, as well as demonstrating vulnerability, and in particular the lack of consent in being seen or perhaps imagined in this scenario.
A number of untitled works, which go under the umbrella of a series entitled Enthusiastic Consent are direct in their meaning and interpretation, as a direct response to rape culture, no means no, and only an enthusiastic yes means yes.
All of the works are made with commercially available Lego bricks. Lego, in all its various forms, is at the same time limiting as well as limitless in its possibilities. The color palette is limited yet consistent, and the basic “pixel” size is also fixed. Yet at the same time, it is a hard, durable, tactile and lightweight material; it can be reused, replaced and altered at will, and provides a myriad of different possibilities due to the different available shaped bricks, tiles and plates, with the exciting opportunity to create the 3-dimensional and textural aspects of the art.
A note on Lego as a medium
Blurring the lines through interpretation and transformation, creating iconoclastic works.
These works deconstruct images to their essence, transforming them into hyper-realistic and captivating art in two and three dimensions using sculptural and textual elements made from coloured plastic bricks.
The use of these small, plastic bricks that we have lying around our homes immediately registers with viewers of the art. Yet the inherent changeability of these artworks, whether they be figurative art or portraits either of well-known icons or others, highlights the characteristics of the building blocks, including their plasticity, that they can be taken apart and rebuilt, and the way we create and model icons, ourselves and objects in our ever-changing society.
All of the works are made with commercially available Lego bricks. Lego, in all its various forms, is at the same time limiting as well as limitless in its possibilities. The color palette is limited yet consistent, and the basic “pixel” size is also fixed. Yet at the same time, it is a hard, durable, tactile and lightweight material; it can be reused, replaced and altered at will, and provides a myriad of different possibilities due to the different available shaped bricks, tiles and plates, with the exciting opportunity to create the 3-dimensional and textural aspects of the art.
Britist artist Andre Veloux, lives with his wife and daughter in Princeton, NJ.
THANK YOU TO SO MANY PEOPLE SUPPORTING ME ON THIS JOURNEY
Stephanie & Natalia, Benjamin @ Krause Gallery, Gil @ FreethinkerFilms, Maria Evans @ Arts Council of Princeton, Juicy Jenn @ Parlor Gallery, Lauren and Everyone!! @ Fort Works Art, Janie Hermann @ Princeton Public Library, Tanner and Max @ The Tax Collection, Jackie Deitch-Stackhouse & Heather Mayer @ Princeton SHARE Office, Kevin Winter, Dr. G, Linda Gates & Ann Kovalick @ Johnson Park Elementary School, Jasmin Hernandez @ Gallery Gurls, Nicole Gordon @ Art is My Oxygen, Jessica & Suzanne @ Small World, Anders Svensson, Arthur Brouthers, Lisa Patterson, Lexi and Greg Emmer, Jennifer Mermans, Jennifer Lea Cohan @ SavoryPR, Ross Wishnick, Tommy & Elaine @ The Brick Engraver
Andre serves as a member on the Advisory Council of Womanspace
ANDRE SUPPORTS THE FOLLOWING ORGANISATIONS
Womanspace
Arts Council of Princeton
Bayard Rustin Center for Social Justic
Project Cancerland=
Send Hunger Packing Princeton
He For She
Blurring the lines through interpretation and transformation, creating iconoclastic works.
These works deconstruct images to their essence, transforming them into hyper-realistic and captivating art in two and three dimensions using sculptural and textual elements made from coloured plastic bricks.
The use of these small, plastic bricks that we have lying around our homes immediately registers with viewers of the art. Yet the inherent changeability of these artworks, whether they be figurative art or portraits either of well-known icons or others, highlights the characteristics of the building blocks, including their plasticity, that they can be taken apart and rebuilt, and the way we create and model icons, ourselves and objects in our ever-changing society.
All of the works are made with commercially available Lego bricks. Lego, in all its various forms, is at the same time limiting as well as limitless in its possibilities. The color palette is limited yet consistent, and the basic “pixel” size is also fixed. Yet at the same time, it is a hard, durable, tactile and lightweight material; it can be reused, replaced and altered at will, and provides a myriad of different possibilities due to the different available shaped bricks, tiles and plates, with the exciting opportunity to create the 3-dimensional and textural aspects of the art.
Britist artist Andre Veloux, lives with his wife and daughter in Princeton, NJ.
THANK YOU TO SO MANY PEOPLE SUPPORTING ME ON THIS JOURNEY
Stephanie & Natalia, Benjamin @ Krause Gallery, Gil @ FreethinkerFilms, Maria Evans @ Arts Council of Princeton, Juicy Jenn @ Parlor Gallery, Lauren and Everyone!! @ Fort Works Art, Janie Hermann @ Princeton Public Library, Tanner and Max @ The Tax Collection, Jackie Deitch-Stackhouse & Heather Mayer @ Princeton SHARE Office, Kevin Winter, Dr. G, Linda Gates & Ann Kovalick @ Johnson Park Elementary School, Jasmin Hernandez @ Gallery Gurls, Nicole Gordon @ Art is My Oxygen, Jessica & Suzanne @ Small World, Anders Svensson, Arthur Brouthers, Lisa Patterson, Lexi and Greg Emmer, Jennifer Mermans, Jennifer Lea Cohan @ SavoryPR, Ross Wishnick, Tommy & Elaine @ The Brick Engraver
Andre serves as a member on the Advisory Council of Womanspace
ANDRE SUPPORTS THE FOLLOWING ORGANISATIONS
Womanspace
Arts Council of Princeton
Bayard Rustin Center for Social Justic
Project Cancerland=
Send Hunger Packing Princeton
He For She